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The Beggars to Exile run is definitely one for the ages. In particular, Mick Taylor really shines and takes center stage in a more profound way than he does on any of their other records that he played on, even Exile. And really, almost every other song is top shelf Stones. Even the lesser tracks- You Gotta Move and I Got The Blues- serve as nice tributes to their Blues and R&B heroes. Like you said, there isn't a bad song in the bunch. Naming a favorite album of all time is a little silly because it can change all the time based on mood, but when asked, I say Sticky Fingers is my favorite record ever. Takes a hell of a song to sound this great nearly 50 years after its initial release.īoth of these albums are great, but for me Sticky Fingers is their best. So where do you come out? I'm still giving the slight edge to Exile, but Sticky is just about perfect. It's a concept album as much as Quadrophenia or The Wall, just without a lyrical concept.
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I can't imagine throwing something like "I Just Want To See His Face" or "Let It Loose" on a Stones compilation, but in the context of the album are just striking. "Casino Boogie"), there's a cohesiveness that permeates the whole work, where even songs that might not hold up as stand-alone tracks feel essential. Despite a few dispensable tracks (i.e.So many great songs that probably don't suffer the same classic rock radio overplay as a lot of Stones greats ("Torn and Frayed," "Loving Cup," "All Down The Line," "Shine A Light," etc.).Keith gets his definitive lead vocal in "Happy.".Yeah, "Brown Sugar" has that riff, but "Rocks Off" gets my vote. "Rocks Off" is perhaps the ultimate opening track to a rock & roll album."Tumbling Dice." Best Stones song, bar none.Here's where Exile might just beat it out: There's really not a bum track in the bunch (I'm not a big fan of "I Got The Blues," but even if it's a relatively inconsequential blues ballad, the horns and harmonies elevate it so it's at the very least perfectly acceptable)."Sway," "Wild Horses," and particularly "Dead Flowers" proved the Brits could write better Americana than most American bands (Byrds/Dead aside)."Can't You Hear Me Knocking," with its extended Santana-like coda, makes a strong case for the Stones as the great lost jam band."Bitch" is a phenomenal pop single (without the lyrical baggage of "Brown Sugar")."Moonlight Mile" is among the finest deep tracks in the Stones catalog, an emotionally rich opus that sounds like it should serve as the backing track to the closing scene of every great film.Here are the arguments in favor of Sticky Fingers:
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The more concise Sticky Fingers is arguably better song for song, though without the impressive majesty and mood of Exile. It's an imperfect album, much like the comparable White Album, where you can conceivably distill it down to a shorter masterpiece, or absorb it in its entirety, its flaws making its peaks that much higher. I lean towards Exile, as previously noted, given its sprawling breadth. For me, the discussion always comes down to which is better, Sticky Fingers or Exile on Main Street? ( Let It Bleed checks in at #3.) I don't have anything new and interesting to say about Sticky Fingers, indisputably one of the greatest rock albums of all time.